The toms and cymbals are spot on as well. The kicks range from tight and clicky to thunderously boomy while most of the snares have a taut, resonant timbre that cuts through the mix (though there are a couple of gut-busting low-tuned affairs too). With all the effort and expertise that has gone into this pack - not to mention the ridiculous amount of top-notch gear - it's unsurprising that it sounds superb.
All are complete with bleed for instance, play the snare drum and it'll come through the kick mic too. Similarly mind-boggling is the array of mic channels in the mixer: two on the kick, five on the snare, four room ambience channels and a reverb chamber track.
Playing techniques include flams, sidestick, centre and edge playing on the snare, bell, bow and edge on the ride and tom rimshots. The range of cymbals is extensive, with four rides, five sets of hats and 40 crashes/splashes/chinas, and there's even a cowbell too.
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